While She Sleeps | This is the Six

25 Jan
"This is the Six"

“This is the Six”

Album Review by: Jeanette LeBlanc

“This is the Six” creates an emotional rollercoaster, you can tell that these guys put their heart into every second of it- which in turn, causes you to want to hold on with them throughout the entire ride.

While She Sleeps is a metallic hard-core band from Sheffield, England. “This is the Six” is the band’s first studio full-length album that was released on August 13th, 2012 through Search and Destroy Records. The album is a follow-up to their mini-debut “The North Stands for Nothing” that was released in 2010 and got the band noticed. While She Sleeps has only been a band since 2006 and at this point- they can’t be stopped. The band received best British newcomer at the Kerrang! Awards just last year and they have been added to the Vans Warped Tour line-up for 2013. “This is the Six” highlights the dynamics of what the band is capable of. The album consists of a wide range of; melodic guitar tones, power-filled guitar riffs, thick bass, serenading piano interludes, catchy gang vocals and rough-passionate screams.

The album sets things off with “Dead Behind Those Eyes”, which instantly rips you into the feel of the whole album; head-banging, heavy and catchy. The second song “False Freedom” invites new harmonies and more indifferent vocals that lead to a slowed down, passionate feel with choir sounding gang vocals. The album keeps you engaged, especially until “Seven Hills”, this song separates itself from the others, the guitar harmonies sing to you while the fast-paced drums make you want to move. The gang vocals will have you singing along the first time hearing it and after walking away, they will leave the song in your head. The track is then followed by “Our Courage Our Cancer” which introduces the bands capability of writing slower, more heart-filled songs. The song starts off with a stunning piano intro that is then unified into a heavier yet calm mood that allows you to lose yourself in the music. The second half of the album brings even more heavy-sentiment, especially during “Love at War”- This song will bring you up and down with a steady combination of everything that makes the album adoring.

While She Sleeps, “This is the Six” creates an emotional rollercoaster, you can tell that these guys put their heart into every second of it- which in turn, causes you to want to hold on with them throughout the entire ride. The band has announced they will be co-headlining Parkway Drive’s “Atlas North American Tour” and they are scheduled to make it to the Phoenix Concert Theatre in Toronto on April 16th. The band will also be returning to the Molson Amphitheatre in Toronto on July 5th with Vans Warped Tour. To order or listen to part of the album visit While She Sleeps music.

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Parkway Drive | Atlas

24 Jan

Parkway DriveAlbum Review by: Jeanette LeBlanc

Atlas is the fourth studio album from Australian metal band, Parkway Drive. The album was released through Epitaph Records on October 26th, 2012- with much anticipation. The album begins with an introductory song titled “Sparks” consisting of a blend of serenading acoustics and synthesizing harmonies that help create a peaceful, innocent image before gradually tearing into a combination of powerful guitars and immaculate rough-wet vocals. If this introduction can’t get you excited about the rest of the album, then you should give up on heavy music all together at this point.

The album manages to hold a firm grasp on your attention throughout, especially the song “Wild Eyes”. This song clearly separates itself from the rest. The song begins with emotionally matched; guitar riffs and chanting gang vocals, this combination will have you singing along- even on your first time listening. This song leaves you on the edge of your seat wanting to scream out loud, while the mood takes you from calm and inspired to up and ready for action.

If you are a long-time Parkway Drive fan, it is safe to say that this album comes back full strife. The band has returned with their notorious break-downs and progressive rushes of wanting to throw down. If you have never listened to the band before then it is also safe to say that you are going to fall in love. Parkway Drive seems to have managed to stay true to their fans and their sound in this album while going that extra step above. The band has announced the “Atlas North American Tour” and will be reaching the Phoenix Concert Theatre in Toronto on April 16th with co-headliner While She Sleeps.

I Never Thøught We’d Make it Øut Alive| It’s All in Your Gøød-Bye’s

21 Jan

Underøath @ the Sound Academy, Toronto| Photo Credit: Jeanette LeBlanc

Underøath @ the Sound Academy, Toronto| Photo Credit: Jeanette LeBlanc

Concert Review by: Jeanette LeBlanc

“I really wish I could, reset, rewind”

On Friday January 18th, hundreds of fans piled into the Sound Academy in Toronto to say good-bye to yet another amazing band; UNDERØATH. Myself being a long-time fan, I’d have to say that the only bad part about the show was the fact that they held such an incredible performance- I know you must be thinking that’s not a bad thing, but trust me, when your saying good-bye, it makes it a hell of a lot more difficult.

“This is the moment that we all live for, are you ready?”

The band opened with Viper Pit “Breathing in a New Mentality”, and the crowd really began to warm up. That song was then followed by D-Biz “It’s Dangerous Business Walking out Your Front Door”, by now the crowd was on fire. Bodies were flying everywhere and arms were held high, it was amazing to see so much passion in one venue. There’s something about the way their vocalist Spencer Chamberlain tosses his hair around and throws all of him-self into the microphone, that really engages you. Not to mention the energy of keyboardist Chris Dudley, I found my eyes glued to him for long periods of time- I could truly feel his passion for what he was doing.

“It’s all worth reaching for, the hand to pull you out”

Another amazing contribution that I love about Underøath performances is that they always have incredible lighting effects that they combine with really interesting and relative videography. These effects always stood out during their interludes, they make you feel like you are a part of the music. During “In Division” it almost felt as if I was in the middle of a lighting sound storm (no, I was not on drugs), it was just amazing how the effects can create such a powerful mood.

“Living inside a hole they put me underground, where they can never find me unless they dig me out”

After an amazing combination of new and old songs, the time to say good-bye came and went. While Spencer was thanking everyone and telling us how blessed he felt, I learned that we were the only Canadian show on the tour which in turn made us all feel blessed and appreciative. I think it’s safe to say that we represented Canada in a way that would make any fan proud. Now of course, with Underoath’s farewell speech came an encore; “Casting Such a Thin Shadow”, “A Boy Brushed Red Living in Black and White”, and as per the crowd’s chants, “Writing on the Walls”. Needless to say, they said good-bye in the best way possible. Fans were left satisfied and speechless; the only thought streaming through my head was a constant flow of Underoath lyrics. After leaving the Sound Academy that night, I knew immediately that Underøath was more than just a band- Underøath is an emotional journey for everyone they have touched and they will never end as long as we are willing to continue to let them live on.

“In this moment that we both ignore the truth, it’s all over”

Saying Farewell to Growing up | The Only Band Ever

15 Jan
Alexisonfire @ The Copps Coliseum, December 30th, 2012 | credit: Jeanette LeBlanc

Alexisonfire @ The Copps Coliseum, December 30th, 2012 | credit: Jeanette LeBlanc

Concert Review By: Jeanette LeBlanc

On December 30th, 2012, something big happened in my life- well my music life. I stood in the floor section at the Copps Coliseum and watched as thousands of us “fans” said good-bye. Good-bye to the only band ever, Alexisonfire. I think it’s safe to say that Alexisonfire started something big in the rock music industry, and that was being the first band with screaming vocals that our parents didn’t insist we turn off while we felt like a bunch of bad-ass’ (well at least at my house). My Mom would always say “I love that Green guy, he’s amazing”. Yes, she was refferring to Dallas Green, no matter how many times I told her his full name, it just wouldn’t stick. It then became evident that our parents were not the only “non-delinquents” who could tollerate and enjoy the band, because before we all knew it- they were on the radio! And boy did it make us kids happy. Alexisonfire was now that really cool band that related to and accepted everyone- regardless of whatever “clique” you were involved in, everyone liked them and if you didn’t, you weren’t about to make fun of some kid who did.

The self-titled album “Alexisonfire” came out on September 9th, 2002- this put me around 11 years-old and I feel like I must have been older but I do remember listening to them at my local pre-teen dance and thinking that 44 Caliber Love Letter and myself were the coolest things happening in the dance but one of them was wearing fishnets and black lipstick- and fortunately for everyone else’s sake, it was not Alexisonfire. That album really influenced and helped me stay true to my taste in heavy music at that age, and I’m so apprieciative of that now because thinking back, the most popular songs at that dance were Dutty Wine and Usher’s Oh– just thank god.

Eventually, after awkward pre-teen bumn grabs and the ugliest stage of puberty- highschool came along, and with that came Watch Out! I have to say, this one really had the strongest impact in my life. Grade 9 was a terrifying year for me, as it is for everyone else and I honestly think Alexisonfire knew that. They knew exactly how to relate to the up’s and down’s, the heart-break, the anxiety, the excitement and the reality of being a teenager. Watch Out! got me ready for school everyday and put me to sleep every night. People came and went during that time but somehow, no matter how far away I may have drifted from Alexisonfire at times, reuniting with them always felt good and as if no time had passed.

Finally, after more heart-break and exploring of the unknown, 2006 brought us Crisis and with that came Rough Hands– my all-time favourite song. Rough Hands made me feel love and loved. It’s scary how everytime I listen to the album I can just imagine myself as the old me and feel like I’ve managed to travel back in time to that moment where I felt content and excited.

2009 came faster than I expected and with it, another flawless album- Old Crows/ Young Cardinals. Now I know that three years is the average amount of time it takes for a band to release a new album but to me, that gap between albums was basically my highschool years, which meant that Old Crows/ Young Cardinals truely felt like a new start and it really did sound like it too. That album brought along changing seasons and a whole new love that I didn’t even know existed.

Everything over the years brought me to Copps Coliseum that day, and by the looks on everyone else’s faces, I wasn’t alone in feeling that way. Alexisonfire’s fans proved that they are more than just a band, they are the only band ever. The passion and dedication in that stadium was clearly evident and Alexisonfire deserved every ounce of respect that was thrown their way that night and throughout every single show they have ever played. They proved that being an Alexisonfire fan isn’t about having Alexisonfire tattoos, knowing the words to every song, dressing like you just came out of a rock music video, or even being cool. Being an Alexisonfire fan is about growing up and every single thing that comes along with it. George Pettit told us that night that “This is not a funeral but a celebration” and those words really stuck with me because it truely was a celebration- a celebration of growing up.

The Influence of an Era | Grunge Music

15 Jan

grunge2

By: Jeanette LeBlanc

Rock music has had many different influences over the years. There was the influence of Jazz music which led to Blues-Rock/Folk-Rock, to the 1970’s Rock and Roll and Psychedelic Rock which brought the world to the 1980’s Glam Rock, Soft Rock, Hard-Rock, Punk-Rock and eventually Heavy-Metal. After these exciting and memorable eras of influential music, the early 1990’s brought a whole new type of music to the stage and it came with a lot more than just that- Grunge music brought its own methods and its own attitude that has forever changed the way we know rock music. Grunge changed the emotion in a singer’s voice from formal to raspy and full of angst, it opened our ears to the many heart-breaks and mental disorders the world suffers from, it created a distorted energy filled sound that will forever remind the world of its troubled and reckless ways. There are reasons behind every band’s sound and personality and many of them lead back to the grunge era, where did it come from? Who created it? And what has the music industry become today because of it? The music community will be forever grateful for the expression that has come from it- grunge.

The grunge music scene originated in Seattle giving it another title people referred to as “The Seattle Sound” and turned the city into a place that Rolling Stone magazine called “The New Liverpool”. grunge music started in the mid 1980’s, and was influenced by punk and metal. The sound of grunge music generally contains distorted guitars, distressed sounding vocals and a highly dynamic tone by going from soft and loving to hard and hateful, and back again. The term “grunge” came from Mark Arm the vocalist of grunge band Mudhoney; he used it to describe the sound of their band as “Pure grunge! Pure noise! Pure shit!” which then stuck and became a new hype.Grunge created a new sound that spoke out to angry and depressed teens. People felt that they could relate to the lyrics and the everyday hateful-heartbreak that they contained. This is something that has continued in music post-grunge with no one being afraid to approach depressing hateful lyrics the way famous vocalist Kurt Cobain from Nirvana did. Kurt Cobain was famous for writing songs titled “I Hate Myself and I Want to Die” and “Negative Creep” which are titles that were not normal during that era and allowed distraught teens to embellish in the music and use it as their way of coping with disorders like depression and anxiety, it allowed them to feel that they were not alone during hard times. Grunge concerts consisted of bands playing the same way they would at a bar, the shows always lacked theatrics and flashy lighting and were full of enthusiastic teens who just wanted to let loose. The Fashion Industry marketed these teens and soon every fashion distributor was releasing “Grunge fashion” which mainly consisted of ripped-up jeans and over-sized flannels, overpriced beanies, and an unmaintained look which was influenced by Kurt Cobain’s lack of cleanliness- basically the opposite of the 80’s over the top glam look.

The grunge era was formed by many strong and now famous influential musicians. Soundgarden was the first grunge band to sign with a record label in 1989 when they teamed up with A&M Records. Their first release however was mainly discovered after 1990’s breakout and soon to be one of the most influential bands of all time, Nirvana- signed with Geffen Records in the beginning of that year. Upon their signing, Nirvana’s “Nevermind” was released in September 1991 and sold 400 000 copies a week until Christmas where it then over-ruled Michael Jackson on the top 200 Billboard thanks to their single “Smells like Teen Spirit”. “Smells like Teen Spirit” was constantly played on MTV and dubbed “The Anthem for Apathetic Kids”, the song uses a verse-chorus form which creates a loud and quiet dynamic and to this day it has become one of the greatest rock songs of all time. During this same time Pearl Jam had just released their album “Ten” causing them to become another one of the key bands of this era. Pearl Jam became famous not only for their unique and engaging sound but also for the bands unwillingness to abide by traditional music industry practices by refusing to make music videos and being involved in a highly publicised boycott of Ticketmaster which prevented the band from playing shows that the company was involved in- fortunately this attitude just caused their fans to appreciate them even more as well as influence other bands to pursue the “reacting and rebelling against the state of society” attitude that became the grunge era. By 1992 bands like Nirvana, Soundgarden, Pearl Jam, and Alice in Chains were all ruling the top 200 Billboard. These bands rapidly changed the rock music scene away from the popular glam metal bands like KISS and Twisted Sister and more towards this new radical and emotional obsession.

Grunge, like many other music era’s remained for the decade and then began to change. The fall of grunge is also referred to by others as a “new born” grunge and is now known as Post-Grunge consisting of bands like Candle-box, Three Doors Down, Goo Goo Dolls, Puddle of Mudd, Stone Temple Pilots and Bush; these bands lacked the originality of Grunge music and instead were influenced by the sound. Most Post-Grunge music contains mid-tempo songs with high levels of power-chord energy. These bands became popular on the radio in the late 90’s after most popular grunge bands either broke up or disappeared, starting with Kurt Cobain’s suicide in 1994, followed by Pearl Jam’s Ticketmaster boycott, then Soundgarden breaking up in 1997 due to creative direction disagreements, which was then followed by the death of Alice in Chains singer Laynes Staley who died from a heroin overdose in 2002. Fortunately however, most band members from previous grunge bands have carried on the grunge persona to influence the way that alternative-rock sounds today, the singer of Soundgarden Chris Cornell is now in a band called Audioslave who on their own have a very unique post-grunge inspired sound unlike any other. Dave Grohl who was previously the drummer of Nirvana and one of the most famous of all previous “grungers” has been involved in other projects such as Queens of the Stone Age, Nine Inch Nails (who helped influence the industrial scene) and Foo Fighters containing Pat Smear, previous guitarist of Nirvana. Not only are all of Grohls’ bands very famous but they are all extremely unique sounding. While listening to the Foo Fighters it is very easy to tell where Grohl’s influences originated from by the similarities between his and Kurt Cobain’s deep, passionate, raspy sounds and the distorted yet clean tone of the songs. Foo Fighters also write a lot of catchy songs similar to Nirvana’s “Smells like Teen Spirit” that Grohl says he tried to write to the beat of the crowd and by imagining the fans jumping up and down to the songs. Foo Fighters also contain a lot of stop-start parts to their songs as well as soft-hard dynamics which originated mainly from grunge music. Foo Fighters have even recently collaborated with Butch Vig who produced Nirvana’s record breaking “Nevermind” album. Pearl Jam also remains famous and they continue to influence the industry. To date Pearl Jam has sold 31.5 million records in the US and an estimated 60 million worldwide, while they still manage to sell out major venues around the world. Pearl Jam’s Eddie Vedder has a grungy vocal talent that has influenced many bands including Scott Stapp from Creed who went on to influence other bands like Nickleback and Hinder.

Grunge music will always be popular, whether it’s playing on an I-Pod, the radio, in a movie, or by some cover band at a bar- it will always be enjoyed. Generations have learnt a lot about self-expression and self-healing through grunge music and it has continued to live on through its fans and producers. It hides behind every band’s power-chords and distortion pedals. It provokes bands to fight back against the music system and have the “screw society” attitude they’ve always looked up to. It coaches teens through their angst and battles against growing up and it brings back memories of a legend that had yet to be discovered. Grunge music has always been and always will be appreciated and influential towards many more generations to come.

Rock and Roll’s Latest and Greatest Addition | Monster Truck

14 Jan
Monster Truck @The Sound Academy

Monster Truck @The Sound Academy | credit: Jeanette LeBlanc

Concert Review by: Jeanette LeBlanc

Attending concerts regularly is what I do, and it’s what I’ve been doing since I can remember and unless if some unforeseen tragic circumstance occurs in the future that will prevent me from being able to attend- then it’s what I’m going to keep on doing. On August 18th, 2012- I attended 102.1 The Edge’s Dean Blundell Show’s Sausagefest at The Sound Academy (my favorite Toronto concert venue).The show was bad-ass of course (102.1 The Edge events never disappoint)and it was hosted by members of the Dean Blundell Show, featuring some pretty entertaining performers; comedian Craig Gass, an embarrassing- yet funny karaoke performance from die-hard listener/ #1 Dean Blundell Show hater- Adrian, along with awesome bands like The Salads, The Watchmen and most importantly Monster Truck.

Now as I said before, I see cool rock bands all the time (not trying to boast or anything) but these guys were different. THEY BLEW MY MIND. They opened with their single “Seven Sea Blues” which got them noticed and played regularly on the radio, and man was it bad-ass. These guys have the stage presence and “swagger” of reincarnated rock stars from the 1970’s, and they do it without even trying or looking stupid. They consist of a combination of powerful vocals and guitar riffs that sound so bad-ass that when you’re listening to them you can’t help but feel like you’re in a really cool scene of some Quintin Tarantino flick.

Needless to say, they truly are a “Rock and Roll” band, only modernized and turned up a couple of notches. If you have an opportunity to see them, regardless of what category of rock music you listen to- these guys will bring it; they will make you feel like that 15 year-old die-hard rocker who dreams big just wants to rock out.

The Molson Canadian Red Leaf Project Presents: The Tragically Hip

14 Jan
September 22nd, 2012

The Tragically Hip @ The Sound Academy- September 22nd, 2012 | credit: Jeanette LeBlanc

Jeanette LeBlanc

Molson Canadian hosted 100 park projects across Canada in hopes to help make communities cleaner and better. Trees were planted, trails were fixed and litter and invasive plants were booted out. When these clean-ups were finished all volunteers were given a ticket to a music festival nearby and me being one of them- I was given a ticket to see The Tragically Hip at The Sound Academy in Toronto.

On September 22nd I hopped on the Go train and made my way to the venue with a completely open mind towards how my night was going to go down. Upon arrival I realized it was going to be a good time, a lot of people were wearing the red Canadian shirts that we received for volunteering and we were all given vouchers for two free eco-friendly bottled Molson beers on the way in, along with synchronized flashing wristbands. While walking around the venue with my free beer in hand and listening to the opening DJ lay down some amazing tunes- I discovered that they were giving away free food- another added bonus that no one expected.

Finally the time came, The Tragically Hip were coming onstage- opening with “At Transformation” and let me tell you, they sounded amazing. This being my second time seeing the band, I had pretty high expectations and they met them all and more. Gord Downie’s energy took over the entire venue and he continuously thanked us fans for all our hard work we had done to improve our cities, which in turn made us all feel awesome. The band played a huge variety of songs off of their best of album titled “Yer Favourites” and they encored with another 5-6 songs, the last one being a mash-up that sounded incredible.

Molson Canadian’s generosity made that concert the ultimate Canadian concert experience of 2012, volunteers were left feeling proud and overly satisfied- Molson even made sure that everyone was taken home safely in a Grey Hound bus. They proved that Canada cares and knows how to make a difference while rockin’ out!